Posts Tagged ‘public domain’

Adam McKay’s Public Domain Protest Song.

May 9th, 2011

It’s all about the content-sharing. Funny or Die co-founder Adam McKay (you know, the one who’s not Will Ferrell) has launched assets.ordienetworks.com , a site for people to post protest songs to share with the world “These songs are owned by anyone,” they say “they’re public domain.” People can write songs, voicing there disappointment in the evil transnational corporations of the world (the page cites Nike and Walmart) or remix songs that have already been submitted. You can download the free Public Domain Songs EP, that includes titles like Company Man and What’d You Trade it For or browse their list of “other great and progressive sites”.

The interesting thing about this website is that it seems to be the protest 2.0. We’ve had people sing harmonies together all around the world, and now we have people creating content to add to the public domain! With congress considering removing content from it, the public seems to already be pushing back.

McKay’s article in the Huffington Post had all of the essentials for the average individual’s interest to be piqued: funny or die, protest, music, free, and the ever-inspiring “spread the word” at the end. It seems like the public domain is becoming the “it” cause, here. People can vent for the sake of venting on this site. McKay says very little about the actual issue, are people likely to misunderstand? Does it even matter as long as there are enough submissions to impress? What does this mean for the legitimacy of the cause? People are “adding to the public domain”, but should there be greater concern for the quality of the additions?

Golan v. Holder goes to D.C.

May 8th, 2011

In 1994, Congress passed legislation in order to bring the United States into compliance with the Uruguay Rounds Agreement Act.  One of the effects: “potentially millions” of foreign works in the American public domain would go back under the protection of copyright.

Golan’s case, represented by the Stanford Center for Internet and Society, has gone through a number of metamorphoses – beginning in 2001 as Golan v. Ashcroft, then Golan v. Eldridge – and the district court held that “the body of law [in the United States] includes the bedrock principle that works in the public domain remain in the public domain.”  That decision, however, was just overruled by the 10th Circuit Court of Appeals, which found that the URAA is completely constitutional.

Certainly, actively removing works from the public domain is a crippling blow to reformers, lawyers, and activists whose goal is reviving the public domain, but there is a silver lining: Golan’s petition for certiorari has been granted.  The Supreme Court will review the case based on the Progress Clause of the Constitution and the 1st Amendment complaints of Golan, and stated that the case will be a “major test of copyright power.”

The holding that Congress can remove works from the public domain at whim, and reinstate copyright as they deem necessary, is a dangerous precedent to set in a climate where the public domain has all but evaporated.  Essentially, if the Supreme Court upholds the 10th Circuit’s decision, American copyright law will become even more stringent than it is now.  Another copyright term extension act is inevitable as it is now, but a decision that allows Congress to “restore” the copyright of public domain works would further constrict the already limited public domain.  What we need is more public domain works, not less.

Do you think Congress should be allowed to remove works from the public domain?

A Fair(y) Use Tale

October 12th, 2009

Thought this video might be fun to watch as we write our papers. It explains copyright law, extended copyright terms, the public domain, and fair use by stringing together split-second clips from dozens of Disney movies. (I kind of felt like my entire childhood was flashing before my eyes.) My favorite part: “What the heck is the public domain? :::blank stares::: The public domain is a disgrace to the forces of evil!”

Synopsis: Professor Eric Faden of Bucknell University created this humorous, yet informative, review of copyright principles delivered through the words of the very folks we can thank for nearly endless copyright terms.

It’s pretty helpful to listen closely and piece together the concepts we’ve learned. Faden packs a lot into only ten minutes, but if you don’t want to sit through all the choppy clips, go to 6:18 for the chapter on fair use. Happy writing!