Posts Tagged ‘copyright’

Pirated Porn (it’s not the new industry blockbuster hit)

February 2nd, 2011

New York Magazine recently dived headlong into the seedy underbelly of copyright piracy.  But the seedy underbelly featured in this week’s issue wasn’t Brazilian knockoff AIDS medication or Chinese bootlegs of foreign films.

It’s the American porn industry.

The article, which you can read here (NSFW), discusses the impact of “tube sites,” pornographic websites that mimic user-uploaded content model of YouTube, on the legal porn industry.  These tubes create two main problems: first, host sites often feature 5-10 minute teaser clips, and second, these sites are largely comprised of free, full-length pirated content.  Adult actress Allie Chases states the obvious problem when she points out that man with access to free clips and full-length films “certainly isn’t going to be pulling out his credit card to join my site”  (I encourage you to read the full quote over at New York Magazine).

Porn producers argue that there is a direct correlation between the availability of free online porn content to drops in DVD sales and paid subscriptions, and the problem is fairly analogous to the problem facing the music industry during the era of Napster: why pay for something that is free?  Like record labels and film distributors, the porn industry has likewise felt the impact of piracy: some of the companies interviewed report profit losses of up to 80% since the advent of tube sites.

But rarely do we hear pro-copyright advocates protesting what many believe is the “demise” of the porn industry alongside the music and film industries, even though they have all suffered serious financial losses because of piracy.

Former student Colin Anderson wrote about an article in The New York Times for this blog last year, wherein law professors from UCLA and the University of Virginia determined that the impact of tube sites on the porn industry is actually more severe than the effect of YouTube on the film or television industries.

Don’t pornographic films deserve the same sort of vigorous piracy protection as mainstream works?  Who should be responsible for “policing” the content on tube sites?

That latter question directly relates to the the “safe harbor” exemption established by the Digital Millennium Copyright Act, and in my mind, also begs the question: can the “safe harbor” exemption cause more harm than good?

Google Is Taking Over The World!

February 8th, 2010

As if Google hasn’t taken over the world yet, their most recent conquest is to acquire millions of book titles from major libraries. The Justice Department has twice already impeded Google’s journey towards acquisition, claiming that their accruement of these titles would set a conflict with the copyrights of those titles. It would also give Google a monopoly over all those works whose copyright owners could not be found or had already expired.
Thankfully, the Justice Department has put effort into protecting the rights of copyright owners and authors alike, however, by opposing Google plan to digitize all these titles, they would be putting a roadblock to furthering the creativity that limitations on copyright is meant to encourage. The Justice Department of Justice recognizes the positive effects of allowing Google to go through with the deal, being that people will be able to access millions of titles that were previously not made for public use. It also allows for the authors of those works to turn some more profit. This seems overall like a great plan, but there are always going to be those who oppose, in this case, the authors whose permission was not asked by Google, and Google’s competitors in the book market. Amazon, one of the competitors to Google, sees their entire business falling to shambles if Google is capable of pushing forward with this deal and making all those titles possible for viewing on the computer. Amazon evades the copyright issue by only letting the consumer see a number of select pages of each book listed with their website, the copyright page included.
The wealth of knowledge Google can spread to its visitors if this deal goes through is insurmountable. Access to a truly digital library will make the lives of students, academics and book lovers alike, much easier. They will allow access to books that were previously not made easily found to the general public, as well as compile them in one large library that is easily accessible, like most other Google platforms. The Justice Department should work hard to protect the rights of all those who are deserving of copyright, but they should work harder to ensure that Google is able to provide the public with a free library that can live up to the true meaning of copyright.

http://www.nytimes.com/2010/02/05/technology/internet/05publish.html?ref=media

A Fair(y) Use Tale

October 12th, 2009

Thought this video might be fun to watch as we write our papers. It explains copyright law, extended copyright terms, the public domain, and fair use by stringing together split-second clips from dozens of Disney movies. (I kind of felt like my entire childhood was flashing before my eyes.) My favorite part: “What the heck is the public domain? :::blank stares::: The public domain is a disgrace to the forces of evil!”

Synopsis: Professor Eric Faden of Bucknell University created this humorous, yet informative, review of copyright principles delivered through the words of the very folks we can thank for nearly endless copyright terms.

It’s pretty helpful to listen closely and piece together the concepts we’ve learned. Faden packs a lot into only ten minutes, but if you don’t want to sit through all the choppy clips, go to 6:18 for the chapter on fair use. Happy writing!

The Problem With Originalism (or, Originalism v. Sociological Jurisprudence)

September 24th, 2009
Apparently this is *the* seminal image of the Framers (practically the only good representation that came up in Google Images)

Apparently this is *the* seminal image of the Framers (practically the only good representation that came up in Google Images). PS it's in the public domain.

Many of our readings have referred to the concept of originalism as a historical defense of copyright reform and a robust opposition to perpetual copyright. As one normative theory of jurisprudence – “jurisprudence” meaning how judges ought to interpret the law in deciding cases – originalism understands the Constitution according to the framers’ “original” intentions and values. For instance, Barlow’s “The Economy of Ideas” opens with Thomas Jefferson’s opinion on property and ideas (in quite the originalist fashion):

That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density at any point…incapable of confinement or exclusive appropriation.”

In Viral Spiral, Bollier details how Lawrence Lessig appealed to conservative justices’ originalist beliefs in Eldred v. Ashcroft (2003). Lessig argued that the framers initially intended to grant exclusive property rights for a “limited Time” and that Congress consequently overstepped its bounds in continuing to extend copyright terms. This notion, albeit romanticized, is also quite flawed in its assumptions. To assume that we, citizens of the 21st century, could completely understand the framers’ 18th century objectives, is abstract and arrogant. Since there’s no way we can know their subjective thoughts, we can only interpret the Constitution by their words (which represents the textualist theory of jurisprudence). Furthermore, the concept of “the framers’ intentions” presupposes that all of the framers shared a single hivemind whereas in actuality the Constitution was the result of tense debate and disagreement. After all, Madison and Jefferson were hardly in agreement about whether or not to include the copyright clause in Article I, Section 8.

An alternative to originalism is sociological jurisprudence – a theory that several readings have alluded to but haven’t labeled explicitly. Whereas originalism privileges the intentions of men long deceased, sociological jurisprudence calls for judges to rule according to “the felt necessities of the time.” Rather than considering the law to be the ultimate authority outside of culture, this approach takes into account contemporary social sciences and changing norms. When people call upon law to “catch up” and “adapt” to modern digital society, when Tehranian speaks of a fundamental “law/norm gap,” and when Lessig realizes he should have explained the “direct harm” of perpetual copyright in the 21st century, they are tacitly evoking sociological jurisprudence. Moving forward, which messaging strategy do you think would be most effective in bringing out copyright law reform – one based on originalism or sociological jurisprudence?

This interesting quotation from Viral Spiral somehow combines the two:

In a 1993 law review article, Lessig wondered how courts should interpret the law when public sentiment and practice have changed. If a judge is going to be true to the original meaning of a law, Lessig argued, he must make a conscientious ‘translation’ of the law by taking account of the contemporary context…The important thing in interpreting law, therefore, is ‘fidelity to translation.’ (76)