New York Magazine recently dived headlong into the seedy underbelly of copyright piracy. But the seedy underbelly featured in this week’s issue wasn’t Brazilian knockoff AIDS medication or Chinese bootlegs of foreign films.
It’s the American porn industry.
The article, which you can read here (NSFW), discusses the impact of “tube sites,” pornographic websites that mimic user-uploaded content model of YouTube, on the legal porn industry. These tubes create two main problems: first, host sites often feature 5-10 minute teaser clips, and second, these sites are largely comprised of free, full-length pirated content. Adult actress Allie Chases states the obvious problem when she points out that man with access to free clips and full-length films “certainly isn’t going to be pulling out his credit card to join my site” (I encourage you to read the full quote over at New York Magazine).
Porn producers argue that there is a direct correlation between the availability of free online porn content to drops in DVD sales and paid subscriptions, and the problem is fairly analogous to the problem facing the music industry during the era of Napster: why pay for something that is free? Like record labels and film distributors, the porn industry has likewise felt the impact of piracy: some of the companies interviewed report profit losses of up to 80% since the advent of tube sites.
But rarely do we hear pro-copyright advocates protesting what many believe is the “demise” of the porn industry alongside the music and film industries, even though they have all suffered serious financial losses because of piracy.
Former student Colin Anderson wrote about an article in The New York Times for this blog last year, wherein law professors from UCLA and the University of Virginia determined that the impact of tube sites on the porn industry is actually more severe than the effect of YouTube on the film or television industries.
Don’t pornographic films deserve the same sort of vigorous piracy protection as mainstream works? Who should be responsible for “policing” the content on tube sites?
That latter question directly relates to the the “safe harbor” exemption established by the Digital Millennium Copyright Act, and in my mind, also begs the question: can the “safe harbor” exemption cause more harm than good?

