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	<title>Comments on: Dewey Decimal Who?</title>
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	<description>E59.1405, The Media, Culture, and Communications Department at the Steinhardt School of Education at NYU</description>
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		<title>By: Tiffany</title>
		<link>http://copyrightcommerceandculture.com/2009/10/19/dewey-decimal-who/comment-page-1/#comment-77</link>
		<dc:creator>Tiffany</dc:creator>
		<pubDate>Tue, 20 Oct 2009 02:11:24 +0000</pubDate>
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		<description>When I first read your post, I was extremely excited at the proposition of getting best-selling novels for free without having to wait for another person to return the book I wanted to the library or adding my name to a waiting list that is months long. However, much to my surprise, I was shocked that the Times article states that the same constraints I hated about my town&#039;s public library growing up apply to the digital copies; only one book can be taken out at a time and patrons must wait in line for the most popular reads. Here, again, we can find a new market that cannot seem to divorce itself from its parent sales model. Though copyright holders might throw a fit, at least at first, it seems entirely possible to come up with a paradigm in which libraries pay more for an e-book, perhaps through nominal licensing fees for each download or some sort of subscription service, as the article suggest, which would allow multiple readers to check a book out at the same time. As Robert Boynton illustrates in &quot;The Tyranny of Copyright&quot; through a comparison of the record and phone service industry, people are willing to pay more for a technology that allows them more immediate interaction. Hence, I believe that many individuals, rightfully tired of waiting for books in the age of NetFlix, iTunes, and instant media gratification, might be willing to pay a small yearly membership fee to public libraries to offset any costs of e-books services not covered by their tax dollars.</description>
		<content:encoded><![CDATA[<p>When I first read your post, I was extremely excited at the proposition of getting best-selling novels for free without having to wait for another person to return the book I wanted to the library or adding my name to a waiting list that is months long. However, much to my surprise, I was shocked that the Times article states that the same constraints I hated about my town&#8217;s public library growing up apply to the digital copies; only one book can be taken out at a time and patrons must wait in line for the most popular reads. Here, again, we can find a new market that cannot seem to divorce itself from its parent sales model. Though copyright holders might throw a fit, at least at first, it seems entirely possible to come up with a paradigm in which libraries pay more for an e-book, perhaps through nominal licensing fees for each download or some sort of subscription service, as the article suggest, which would allow multiple readers to check a book out at the same time. As Robert Boynton illustrates in &#8220;The Tyranny of Copyright&#8221; through a comparison of the record and phone service industry, people are willing to pay more for a technology that allows them more immediate interaction. Hence, I believe that many individuals, rightfully tired of waiting for books in the age of NetFlix, iTunes, and instant media gratification, might be willing to pay a small yearly membership fee to public libraries to offset any costs of e-books services not covered by their tax dollars.</p>
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		<title>By: Caroline</title>
		<link>http://copyrightcommerceandculture.com/2009/10/19/dewey-decimal-who/comment-page-1/#comment-75</link>
		<dc:creator>Caroline</dc:creator>
		<pubDate>Tue, 20 Oct 2009 01:13:16 +0000</pubDate>
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		<description>I always thought that it was interesting that you can &quot;borrow&quot; an electronic medium, like you can rent movies on iTunes and now you can check out e-books... at least there are no late fees because they take it away from you on time! Is that not an invasion of privacy? Consequently, unlike hard copies, there&#039;s that disadvantage of not being able to sell back your copy.  

Anyway, schools have had the option of digital copies of textbooks for a while now.  I remember my first digital textbook in high school and my teacher just copied it from his digital teacher&#039;s edition for free, as long as I gave him a blank dvd. Is copying discs of a textbook the same as photocopying a hard copy and therefore fall under fair use? Could you say that about other books, or specifically &quot;educational&quot; ones?</description>
		<content:encoded><![CDATA[<p>I always thought that it was interesting that you can &#8220;borrow&#8221; an electronic medium, like you can rent movies on iTunes and now you can check out e-books&#8230; at least there are no late fees because they take it away from you on time! Is that not an invasion of privacy? Consequently, unlike hard copies, there&#8217;s that disadvantage of not being able to sell back your copy.  </p>
<p>Anyway, schools have had the option of digital copies of textbooks for a while now.  I remember my first digital textbook in high school and my teacher just copied it from his digital teacher&#8217;s edition for free, as long as I gave him a blank dvd. Is copying discs of a textbook the same as photocopying a hard copy and therefore fall under fair use? Could you say that about other books, or specifically &#8220;educational&#8221; ones?</p>
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		<title>By: zukase</title>
		<link>http://copyrightcommerceandculture.com/2009/10/19/dewey-decimal-who/comment-page-1/#comment-72</link>
		<dc:creator>zukase</dc:creator>
		<pubDate>Tue, 20 Oct 2009 00:08:45 +0000</pubDate>
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		<description>This is pretty interesting, one thing I know for sure is I want one of those tablets, badly, but probably the second or third generation ones.</description>
		<content:encoded><![CDATA[<p>This is pretty interesting, one thing I know for sure is I want one of those tablets, badly, but probably the second or third generation ones.</p>
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