A few points I want to bring up concerning the Dallon piece. First, I think it is a little ironic that the Copyright Law of 1790 pretty much COPIES EXACTLY the Statute of St Anne.
Anne – “An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of such Copies, during the Times therein mentioned.”
1790 – “An Act for the encouragement of Learning, by Securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned.”
I know, its all in the subtle difference, but common. If you want to promote originality, be original.

Okay, all banter aside. I thought it was interesting how the early founders of copyright law believed that the security of a copyright would “encourage men of learning and genius to publish their writings.” Though reluctant to support a limited monopoly, the founders, namely Madison, believed that the ‘public benefit rationale’ trumped any sort of ‘natural property right’ rationale. I guess the argument goes something like this: Encourage learning by introducing books, and introduce more books by creating a copyright law that encourages the creation of new works through protection and compensation (wordy).
With this mindset, the 1790 law was born. Further, the 1830 House committee “appreciated” there was a correlation between strong copyright protection and the production of works. I’m not sure how much I believe this…at least in current times. This again might be an issue of changing times/technology, but I see indie bands as a counter-argument. These bands delve into the business unsure if they’ll ever see any sort of compensation; and often times they don’t (i.e. Radiohead, In Rainbows set-your-own-price release. Although I think they made a decent amount of money off that release). Yet they continue to produce unbelievable music. Then again that probably has less to do with copyright than it has to do with the industry itself. Nevertheless I think our generation as a whole is willing to take that chance. I don’t think that a stronger copyright law would encourage more production. As we’ve talked about in class, the law itself cannot be readily applied, and is thus not a serious factor. Nor do I think that a lack of copyright law would inhibit production. Maybe I’m naïve, but I just don’t see the correlation (check out Film, TV Music Composers Urge Copyright Law Change. I posted this article on delicious a few days ago. I guess it proves me wrong.)
Alright, enough babbling. I’ll leave you with the question I was posed with after reading Dallon’s piece. Do you think that copyright law, as originally intended, has indeed facilitated the production of new works, both in the ‘olden days’ and now?


